Écho des Âmes · Resonance of the Soul
International Group Exhibition
11–20 MAY 2026
Sol de Paris
17 Rue Chapon, 75003 Paris, France
Curator: HanYue
Organiser: Sol de Paris
When the Soul Resonates, How Do We Hear Ourselves?
Between the body and the world, between memory and the present, between nature and structure, there are sensations that words can never fully articulate.
They may emerge through a gesture of the body, a recurring textile pattern, a memory concealed beneath the everyday, a figure standing within a vast landscape, a moment of encounter, an experience of solitude, an expression of love, or a fleeting fragment of ordinary life that might otherwise go unnoticed.
Écho des Âmes · Resonance of the Soul brings together artists from diverse cultural and artistic backgrounds, working across photography, painting, textile, mixed media, and land art.
The exhibition explores a shared constellation of themes—the body, identity, perception, memory, and inner experience—while creating a dialogue between distinct artistic languages.
Rather than attempting to define what the “soul” is, the exhibition turns its attention toward the spaces between the visible and the invisible:
presence and absence,
nature and structure,
alienation and emotion,
vulnerability and resilience,
memory and the present.
Beginning with the body, everyday experience, nature, memory, and personal histories, the artists transform intimate and often inexpressible perceptions into visual languages that are sensitive, physical, and emotionally resonant.
Here, the body is no longer simply an object to be seen. It becomes a site of perception, action, and self-awareness.
The everyday is no longer merely a repetition of familiar routines. It becomes a point of entry into the psychological condition of contemporary life.
Nature is no longer simply a backdrop. It becomes another form of existence—one that breathes alongside the human body and reflects it in unexpected ways.
Each work becomes a form of resonance.
A resonance born from the artist’s experience, but one that may also echo within the viewer.
When we look at a body, a landscape, a pattern, a relationship, or an overlooked fragment of daily life, what we encounter may not simply be another person’s story.
We may also recognize a part of ourselves.
The Curatorial Vision of HanYue
Finding Resonance Within Difference
At the heart of Écho des Âmes · Resonance of the Soul lies the thoughtful and distinctive curatorial vision of HanYue.
With a refined sensitivity to contemporary artistic practices and their human dimensions, HanYue brings together artists with different cultural backgrounds, experiences, and visual languages, while revealing the subtle connections that exist between their seemingly distant practices. Rather than imposing a fixed narrative, she creates an open and intuitive framework in which each artist can retain their individuality while entering into a meaningful dialogue with the others.
What distinguishes HanYue’s curatorial approach is her ability to perceive the invisible correspondences between seemingly unrelated artistic practices.
The body becomes a site of presence and identity. Pattern becomes a reflection on nature and structure. Fragments of everyday life reveal the quiet alienation of contemporary existence. The earth becomes a space where the body reconnects with nature. And intimate images transform personal experience into a more universal reflection on love and human connection. HanYue does not simply bring different works into the same exhibition space.She creates relationships between them. One experience responds to another. One image opens a new way of seeing. One artistic practice resonates with another.
In this way, the voices within the exhibition never lose their individuality, yet gradually begin to speak to one another.
To find resonance without erasing difference is perhaps one of the defining strengths of HanYue’s curatorial vision.
Her curatorial language is subtle, poetic, and assured. She is attentive to form without being limited by it; attentive to the image while remaining deeply interested in what lies behind it—the fragile, complex, and often unspoken dimensions of human experience. What she creates is therefore more than an exhibition. It is a space where different cultures, bodies, memories, and sensitivities can encounter one another.
To make art visible. To make emotion felt. And to allow the viewer, in front of the work, to hear their own inner voice again.
Bodies, Memories, and Inner Space
The practices presented in this exhibition take very different forms, yet converge around a shared question:
How can we understand our own existence through the way we perceive the world?
Tremoring Steel
London-based artist and photographer Tremoring Steel explores the relationship between the body, presence, absence, and the gaze. Through an ongoing dialogue with the pole dance community, she questions established mechanisms of representation and the objectification of the body. Her near-static imagery, multiple exposures, and fragmented compositions disrupt habitual ways of looking and challenge conventional perceptions of movement. The body ceases to be an object of observation and becomes an active subject—capable of expression, agency, and meaning. Her work ultimately raises a fundamental question: When we look at a body, are we looking at an object, or are we encountering a person?
Luo Guangyi
With a background in fashion design and textile printmaking, Luo Guangyi transforms observations of nature into systems of form, pattern, and repetition.
In Interwoven Shadow No.1 and No.5, fragments of natural matter—bark, earth, shadow, and movement—are extracted, repeated, compressed, and reorganized. Organic and freely evolving forms enter structures created by human order. Her works occupy a space between nature and structure, freedom and control. Luo refuses to treat textile as mere decoration. Instead, pattern becomes a conceptual tool through which she examines how nature is translated, organized, contained, and redefined. How does structure transform the way we perceive the world—and ourselves?
Liu Yulin
Born in China in 2001, Liu Yulin is currently pursuing postgraduate studies in Visual Arts at the Brera Academy of Fine Arts in Milan.
His paintings turn toward the fragments of contemporary life that are easily overlooked. Ordinary scenes, absurd situations, confined spaces, and moments of alienation are taken from everyday experience and then deconstructed and reconstructed within the pictorial space. By deliberately weakening conventional narrative logic, Liu creates a visual language shaped by silence, spatial tension, emptiness, and concentration. What initially appears insignificant becomes a metaphor for the inner condition of the contemporary individual. The quieter the everyday becomes, the more clearly the loneliness hidden within it can be felt.
Fan Yurui
Fan Yurui is recognized as a pioneering figure in the exploration of scratch painting in China. Her practice continually challenges the boundaries of traditional painting media, bringing together tools, materials, and thematic expression to create a distinctive visual language. For Fan, material is not simply a support for the image. Material itself becomes language. Her work establishes a dialogue between qualities of Eastern aesthetic thought and the experimental spirit of contemporary art. Her representative works, including Stream, Blazing Sun, and Sacred Mountain, have received multiple awards at major art exhibitions in Europe and the United States.
Gao Hongzhan
With the passage of time, we begin to look back.
The joys and sorrows of childhood, the intensity of youth, the experiences of adulthood, and the memories we once believed forgotten gradually return. Gao Hongzhan transforms these personal experiences into a deeply intimate visual language. Waves, withered branches, balloons, flowers, and water become recurring symbols. They connect different stages of a life. Running into the waves evokes youth. Bending down to pick a flower evokes the tenderness of early adulthood. Embracing solitude within a landscape speaks of the courage that comes with growing older. And standing quietly against a wall suggests a different kind of strength—the quiet acceptance of time. His work neither idealizes life nor conceals its imperfections. It simply records, with honesty, how we grow older and gradually learn to live with time.
Ye Fengliang
Long engaged in the planning and realization of international land art projects, Ye Fengliang is particularly known for his Waiting for the Wind series. In his practice, the boundaries between the body and nature gradually dissolve. Cracked earth, vast bodies of water, and dormant vegetation are not merely landscapes. They become another form of language.
The body enters the earth. Skin meets soil. Breath responds to the wind. The human figure gradually dissolves into the landscape. When the boundary between the individual and the earth disappears, we hear more than the rhythm of nature. We also hear something emerging from within ourselves. Perhaps we must sometimes lose ourselves in the earth in order to truly understand who we are.
Yu Lu
Through black-and-white photography, Yu Lu explores one of the most intimate forms of human connection: love.
Her images do not attempt to idealize love. There are no dramatic promises or artificial romantic narratives. Instead, there are exchanged glances, silhouettes walking side by side, spontaneous smiles, and the quiet moments in which two people gradually learn to recognize one another. Love may not be the search for a perfect person. It may simply be the unexpected meeting of two lives. Like the roots of two trees quietly intertwining underground, love allows each person to grow while remaining deeply connected to the other. Yu Lu photographs this quiet yet essential presence of emotion. As we encounter the increasing complexity of human relationships, we sometimes forget that what gives existence its deepest value is our capacity to feel and to love.
From the Visible to the Intimate
Together, these works form a sensitive map of the inner world. Some artists speak of identity through the body. Others speak of existence through nature. Some explore order through pattern. Others reveal alienation through the everyday. Memory becomes a way of speaking about time. And love becomes a way of speaking about human connection. The media are different. The stories are different. The cultures are different. Yet within the space of Écho des Âmes, these voices begin to resonate with one another. This is precisely where the strength of HanYue’s curatorial vision lies: not in erasing difference, but in creating connection through it. The viewer may enter the exhibition through the body, through memory, through a painting, a photograph, a textile, a landscape, or a story of love. They may also enter through their own experience. Because art does not always need to provide answers. Sometimes, it simply allows something that has existed deep within us but has never been articulated to finally become visible.
A Resonance Beyond Words
Perhaps the soul does not truly speak. It exists in the breath of the body, in the spaces between memories, in fleeting encounters between human beings and nature, in the almost invisible fragments of everyday life, and in that precise moment when, standing before an artwork, an inexplicable emotion passes through us. It is this moment that Écho des Âmes seeks to hold open. Beginning with the artists’ experiences, passing through their works, and ultimately returning to the inner world of the viewer, the exhibition creates a space where different forms of life, memory, and sensitivity can encounter one another. This is not simply an exhibition about looking. It is an invitation to feel, remember, exist, and recognize oneself. And perhaps this is the most meaningful dimension of HanYue’s curatorial practice: To create a space where different cultures can meet, where different sensitivities can resonate, where each work can find its echo in another—and where, ultimately, the viewer may hear something of themselves. Écho des Âmes · Resonance of the Soul. When the soul is touched, the resonance begins.
Exhibition Information
Écho des Âmes · Resonance of the Soul
International Group Exhibition
Dates: 11–20 May 2026
Venue: Sol de Paris, 17 Rue Chapon, 75003 Paris, France
Curator: HanYue
Organiser: Sol de Paris
Main Artists: Tremoring Steel · Luo Guangyi · Liu Yulin · Fan Yurui · Gao Hongzhan · Ye Fengliang · Yu Lu
Invited Artists: Elena Kovacs · Lucas Moreau · Sofia Lindström · Matteo Ricci
