https://www.justartcollective.com/articles daily 0.75 2026-08-19 https://www.justartcollective.com/articles/as-we-all-lay-dying monthly 0.5 2026-08-19 https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1787160253040-XNSHB1MJA1ECE7OW94O4/3528fe1912a7edeaf6ddad355239c3fd.jpg Articles - As we all lay dying https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1787160253025-ZP1FXC6KS4FA1U7N251K/c137f729aff5ee0c57d0bf25b60a7dd6.jpg Articles - As we all lay dying https://www.justartcollective.com/articles/the-wand-in-handexpressionpower-and-agency-at-the-handbag-factory monthly 0.5 2026-08-18 https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/b70e3844-61ca-4ae5-b8b8-3e066922c2d8/6d3ea24936718e162265c468bb0de279.jpg Articles - The Wand in Hand：Expression，Power and Agency at The Handbag Factory - Behind the exhibition is SIURUEI ART, a London-based platform founded by Xiaohui Wu, whose practice moves between China and the UK. Working across disciplines, her projects often bring together artists from different contexts without forcing them into a single narrative. That approach carries through here, where connections between works emerge gradually rather than being explicitly defined. The exhibition was arranged around five walls forming a loose enclosure, with two display tables at the centre of the room. Wall-based works appeared alongside sculpture, publications and wearable pieces. Some walls were more densely hung than others. The largest wall held a denser group of works, while quieter areas and the central displays created more space between individual pieces. Visitors moved along the walls from one work to the next, while the central displays allowed them to look more closely at objects. https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/711a0482-cdcf-41d1-8d41-48844fec1a31/b9197bf87c8b7fc8e8d1218fb4e2ebe2.jpg Articles - The Wand in Hand：Expression，Power and Agency at The Handbag Factory - Make it stand out Jingyun Guan’s Above Skin turns to something more private. The two photographs place body hair in different settings and against different materials. Hair is familiar as part of the body, but when it appears somewhere unexpected, that familiarity quickly becomes strange. Junyi Liu’s Mouth Order was activated in a live performance during the opening. Two performers sat opposite each other at a dining table and shared a meal before using the white, bone-like device at the centre of the work. What began as a relatively intimate exchange gradually developed into a physical struggle, as the performers competed for control of the device and, with it, the authority to give commands at the table. The table and projection formed the setting around them, while the escalating actions brought questions of family authority, obedience and refusal into the performance. Rather than showing what followed from winning, the performance focused on the struggle for that authority itself. https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/cbd8c114-5325-4114-b0af-f03127029f88/4a549a9ad192f74415d56cd262f09d52.jpg Articles - The Wand in Hand：Expression，Power and Agency at The Handbag Factory Joy Wang’s Social Shake is a 90-second video presented in the format of a game. After a character selection screen, two figures enter a dance battle: one represents shehuiyao (社会摇) and is labelled ‘subculture’, while the other, dressed in a school uniform, performs movements associated with school exercises under ‘mainstream culture’. The video incorporates music, dance clips and scrolling comments familiar from short-video platforms. Reactions range from ‘so stupid’ to ‘I think it’s funny’, reflecting the different judgements that appear around such online content. In the end, shehuiyao wins the battle. https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/2bc221b0-9ce5-43f4-8918-55251026aa2a/155fb2aa55094ab6aa392d580465dfa9.jpg Articles - The Wand in Hand：Expression，Power and Agency at The Handbag Factory - Make it stand out Nearby, Louise Hapton’s Deadly Magical Girls also uses ceramic, but moves in a different direction. Pink surfaces and the visual language of the ‘magical girl’ are applied to guns, knives and boots, combining cuteness with objects associated with force and violence. The weapons are mounted on the wall, while the boots are placed on the floor. Placed together, Mai and Louise’s works can be read as a progression. Mai presents women through the categories imposed on them by an advertising system, while Louise’s armed ‘magical girls’ turn a language of femininity and cuteness into one of resistance. The pairing sets up a broader line of inquiry across the wall around the female body, power and the structures that seek to define it. Daniela Marques’s The Lord’s Prayer was also shown on this wall. The work consists of eight photographs from a performance in which a woman drinks, cuts salami, eats part of it and shares the rest with the audience. The knife, food and act of sharing recall religious ritual, but here these actions are carried out by a woman. The work places a familiar ritual structure in a female body and questions the authority traditionally attached to it. https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/d35a10df-43ce-4bc7-9693-2b5ff3c1483a/b5d8608e32386120d85e0b81d582d513.jpg Articles - The Wand in Hand：Expression，Power and Agency at The Handbag Factory At the centre of the gallery, Yimeng (Jade) Liu’s Refuge series draws on her grandparents’ experience of leaving land they had long lived on as a result of urban expansion. Corn leaf fibres and reclaimed cardboard were made into wearable pieces that sit close to the body. The pieces are earthy yellow, with flower-like and ring-shaped forms that appear light and fragile. Further along the walls, Verona Shi’s ceramic sculptures Body 1 and Body 2 appear as two brick-red forms of different sizes. Their rounded structures are cut through by openings of varying scale, creating a network of cavities and passages that twist and overlap through each piece. The openings make the space inside the sculptures as visible as their outer surfaces. Can-Fen Wang’s Angry Wildfire is a red aluminium sculpture formed from three irregular, looping bands. Their jagged lines rise and fall around the circular structure, while red lacquer is interrupted by blackened areas and touches of gold leaf, giving parts of the surface a scorched, flame-like appearance. The forms draw on waveforms taken from recordings described as ‘objective’ and ‘angry’. Through these contrasting lines, the work considers how opinions accumulate and intensify online, where information can become entangled with emotion. Fú Lù developed from an incident described by GUANGUAN in which the gourd sculpture was damaged during an inspection. A later complaint and the public discussion around it brought both support and online abuse. For the exhibition, the damaged work returned to a public setting. During the opening, visitors were invited to help repair it, turning an experience that began with one person into a shared action. https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1a11492e-4413-4f6d-8250-dfa8dfe54668/d7dfc449e9883b4705b5168182300eb6.jpg Articles - The Wand in Hand：Expression，Power and Agency at The Handbag Factory - Make it stand out Across the exhibition, the ‘wand’ takes different forms: a body, an image, an object, a performance, a memory, or an action shared with others. What connects these works is not a single answer, but the possibility of using expression to question what surrounds us, to respond to systems, and to make space for another voice. The question raised at the beginning therefore remains open: when expression is placed in someone’s hands, how will they use it? https://www.justartcollective.com/articles/9o243r2xuqqf5jkp2e62mqdfewt7wf monthly 0.5 2026-08-17 https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/cd130012-7add-4ffb-97b5-e1b52fcf9bc0/ea88960b48ae02d4c13e5547bd8c7288.jpg Articles - Écho des Âmes · Resonance of the Soul - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1786994764117-8X761EEEN9CXO6JU5EJ0/0edcfaa92de9d93c2aa6e5d1a40e9abe.jpg Articles - Écho des Âmes · Resonance of the Soul https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1786994764127-WO7JKEROI0ZJKQLNVXZG/5f3cde9f5de34c3a7c7352a1a362f044.jpg Articles - Écho des Âmes · Resonance of the Soul https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/4a367e2f-427e-4bdd-8e4c-02bf46ac331f/c97172cfc49babf055701d81a0a6b09b.jpg Articles - Écho des Âmes · Resonance of the Soul - From the Visible to the Intimate Together, these works form a sensitive map of the inner world. Some artists speak of identity through the body. Others speak of existence through nature. Some explore order through pattern. Others reveal alienation through the everyday. Memory becomes a way of speaking about time. And love becomes a way of speaking about human connection. The media are different. The stories are different. The cultures are different. Yet within the space of Écho des Âmes, these voices begin to resonate with one another. This is precisely where the strength of HanYue’s curatorial vision lies: not in erasing difference, but in creating connection through it. The viewer may enter the exhibition through the body, through memory, through a painting, a photograph, a textile, a landscape, or a story of love. They may also enter through their own experience. Because art does not always need to provide answers. Sometimes, it simply allows something that has existed deep within us but has never been articulated to finally become visible. https://www.justartcollective.com/articles/threshold monthly 0.5 2026-08-11 https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1786464155709-4IHNLJNEXUGMR5REY3QR/Copy+of+DSCF4597.JPG Articles - Threshold https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1786464155982-QMIMF6QVZJ3FHTOZCB77/Copy+of+DSCF4904.JPG Articles - Threshold https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1786464163547-FHYKHNF5VDPXG4WILZJ3/Copy+of+DSCF5105.JPG Articles - Threshold https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1786464162974-0OBQWY5IX3OHKWAVMET5/Copy+of+DSCF5037.JPG Articles - Threshold https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/82eaf599-829d-4d64-b7de-79f35bb5b434/1Z3A0534.jpg Articles - Threshold Isabelle Zetterström (b. 1995) is an English-Swedish artist based in London whose oil paintings open portals into ambiguous terrains suspended between the microscopic and the cosmic. In Threshold, her eight paintings drift between deep seas and celestial perspectives: pulsating forms unfurl in tones of blood, merging with volcanic greys, while noctilucent pools resemble water and floating branches shift into veins. The works in Membronic Secretion and the Giant Matter series do not depict the body so much as inhabit it, awakening an uncanny sense of awe and unease. For Zetterström, painting is a spiritual act, a dance with the subconscious that exposes the soul to unseen forces. She summons images from the abyss and escapes into them, only to find her own reflection. https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/619771e7-fb58-45fe-a7d8-726cf65016fc/Copy+of+DSCF4863.JPG Articles - Threshold Soo Hyun Lee (b. 1998) is a Korean artist whose watercolour and mineral pigment works investigate how individuals relate to social values such as care, shame, resistance, and love. Her paintings in Threshold capture emotional terrains where softness and violence coexist: layered botanical forms in vivid, restless colour carry figures whose intimacy is also a site of conflict. Each work holds a layered timeline, embodying conflicting impulses of protection and detachment, of nurturing and consuming. In Daring behind the blooming leaves and Daphne, Lee asks what it means to be present within a relationship, and at what cost. https://www.justartcollective.com/articles/juan-du-explores-desire-value-and-distance-through-narrative-abstraction monthly 0.5 2026-08-11 https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1786463971384-MNL29RQEAC1V6UVCUUEV/0c50fdc5ad651a704ff840d616f4cec8.jpg Articles - Juan Du Explores Desire, Value and Distance Through Narrative Abstraction https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1786463971402-0M5TTHUXDMJTG9Y4MUGP/d7d9b7d54b6d03ac8c2f81b0d086f436.jpg Articles - Juan Du Explores Desire, Value and Distance Through Narrative Abstraction https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1786463972658-E1O15GK3EGLTGYWA0YIU/e7fec3a86a062823e1e761825c8c9631.jpg Articles - Juan Du Explores Desire, Value and Distance Through Narrative Abstraction https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1786463972722-NLV2YGKYT10W0VM2UW0M/9e1ed204d024ecaf16be4c73de4b63cd.jpg Articles - Juan Du Explores Desire, Value and Distance Through Narrative Abstraction https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1786463973796-K6KNPH1A8UXQVIJ2E2CZ/d0c7e85f90e701394c95b1e45f7789a7.jpg Articles - Juan Du Explores Desire, Value and Distance Through Narrative Abstraction https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1786463974025-RV4F6KMGFHR4CBZ6GSTP/f95a3fdff2373aa339deced7dca28494.jpg Articles - Juan Du Explores Desire, Value and Distance Through Narrative Abstraction https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1786463974836-B08Y54N2VFM2CE71YYZ3/1b9381da48239ab9c248d3181d51e77f.jpg Articles - Juan Du Explores Desire, Value and Distance Through Narrative Abstraction https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1786463975026-XDY77622I7AK7B9ZHR9P/51f4b756fd8269617bd9b58cbb184d37.jpg Articles - Juan Du Explores Desire, Value and Distance Through Narrative Abstraction https://www.justartcollective.com/articles/what-then-is-the-role-of-art-today monthly 0.5 2026-07-22 https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/de08871b-ed43-4445-a0d3-3f88554ca52b/Display+Exhibition-Church.jpg Articles - What, Then, Is the Role of Art Today? - Make it stand out Installation view showing children's garment prints across the church pews. Photograph © Sana Obaid. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/3401d74e-f3c4-440b-adf9-8b26cd174450/Silence%2C+Ceramic+Installation%2C+24%2C+display+view+at+Solas+Eige+CIC.png Articles - What, Then, Is the Role of Art Today? - Make it stand out Installation view of ‘Silence’Porcelain Installation, during the Exhibition From the Heart of a Mother, Solas Eige Centre (formerly St Columba's Church), Isle of Eigg, Scotland, 2026. Photograph © Sana Obaid. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/c057b713-04fb-42c0-a0c3-9fbf32d11053/People+Sitting+in+Solas+Eige.jpg Articles - What, Then, Is the Role of Art Today? - Make it stand out Visitors in quiet contemplation during the exhibition. Photograph © Sana Obaid. https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1784739319344-8LXSTN9RA64F2I9W2PB8/SanaObaid-A+Pillow%2C+Audio+Sculpture%2C+Screenprinted+and+sewing+needles+on+Burial+shroud-+50x75cm-2025.png Articles - What, Then, Is the Role of Art Today? https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1784739319300-ZGH1HOR2ZLE0ELJ3LHJS/PoppyI-Printmaking%2CEtching+and+collage+on+paper%2C+2024-.53.5+x+53.7+cms.+jpg.jpg Articles - What, Then, Is the Role of Art Today? https://www.justartcollective.com/articles/the-wand-in-hand monthly 0.5 2026-07-16 https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/bc4f31f2-526e-4274-b84c-ab2d3cc1d8c3/%E5%BE%AE%E4%BF%A1%E5%9B%BE%E7%89%87_20260716142844_397_495.jpg Articles - The Wand in Hand - Make it stand out Whatever it is, the way you tell your story online can make all the difference. 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0.5 2026-06-13 https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/8e50d33c-ae56-4619-a75d-d1f9c54726b0/%E5%BE%AE%E4%BF%A1%E5%9B%BE%E7%89%87_20260604220411_3402_446.jpg Articles - After the Mist, What the Water Remembers - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1781366395116-RCT3YV64W05I84ASLOQD/%E5%BE%AE%E4%BF%A1%E5%9B%BE%E7%89%87_20260604220434_3405_446.jpg Articles - After the Mist, What the Water Remembers https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1781366395973-2JGI4NNSZFT9NCYGJE6L/%E5%BE%AE%E4%BF%A1%E5%9B%BE%E7%89%87_20260604220812_3411_446.jpg Articles - After the Mist, What the Water Remembers https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1781366398468-L7JFQRCNHHDG027IFBF1/%E5%BE%AE%E4%BF%A1%E5%9B%BE%E7%89%87_20260604221945_3435_446.jpg Articles - After the Mist, What the Water Remembers https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1781366437040-L2FUGGFGNH264N27LEQ3/%E5%BE%AE%E4%BF%A1%E5%9B%BE%E7%89%87_20260604220351_3399_446.jpg Articles - After the Mist, What the Water Remembers https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/1781366433886-584FDKAIUIX06P0SXYIG/%E5%BE%AE%E4%BF%A1%E5%9B%BE%E7%89%87_20260604222528_3450_446.jpg Articles - After the Mist, What the Water Remembers https://www.justartcollective.com/articles/layers-of-stone-and-time-the-slow-art-of-qinglai-tom monthly 0.5 2026-06-10 https://images.squarespace-cdn.com/content/v1/6a1c7bb3afcc46712c686353/90d4add4-c14b-4cd2-bbd8-61acd1f5ca2d/f34cd11de6188f276cb16610e6e51d70.jpg Articles - Layers of Stone and Time: The Slow Art of Qinglai Tom - Make it stand out Whatever it is, the way you tell your story online can make all the difference. 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